Concepts can be posted publicly or privately and can include websites, logos, advertisements, videos, and more. Once a concept has been posted, feedback is automatically collected and archived for the user to help them improve the concept and get better post-launch results. Meanwhile, a system of reputation scores keeps members honest and helps interpret their advice.

In addition to a distinctive professional network, registered users have the capability to post concepts privately, for secure review by clients, co-workers, and friends. According to the founder, Andrew Follett, “Most small business marketers and freelancers lack the budget and resources it requires to obtain useful feedback on marketing concepts. A third-party point of view can be critical to launching a website, advertising campaign or concept that is clear, concise and effective.”

Concept Feedback was named one of 10 “excellent feedback services you should be using right now” by InspiredMag, and is growing rapidly. So what are you waiting for? Go check it out and start improving your concepts!

Leveraging the power and knowledge of crowds, ConceptFeedback.com will provide users with valuable and unique insight, unavailable anywhere else. Within the first year, Concept Feedback is seeking to enlist over 10,000 active users worldwide, creating a vibrant and effective community of like-minded professionals. In addition to a distinctive professional network, registered users have the capability to post concepts privately, for secure review by clients, co-workers, and friends.

How It Works

1.Quickly Upload and Share a Concept

2.Start Collecting Feedback

3.Experience the Benefits of feedback community

This will help you to improve your final product, catch mistakes and expand your point of view. Build your network, get inspired and learn from other experienced professionals. Improve your Reputation Score by posting and reviewing concepts.

Typography now is one of the most important tools in the creative design, a word or a letter is not counted as what it is it’s counted as a pixel or a point used to draw the elements of design.

Before typography was used only as drawing characters and letters used in books or posters. Just as lettering design or to improve the looks of a front page.

Display typography is a potent element in graphic design, where there is less concern for readability and more potential for using type in an artistic manner. Type is combined with negative space, graphic elements and pictures, forming relationships and dialog between words and images.

Color and size of type elements are much more prevalent than in text typography. Most display typography exploits type at larger sizes, where the details of letter design are magnified. Color is used for its emotional effect in conveying the tone and nature of subject matter.

Display typography encompasses:

* posters; book covers;
* typographic logos and wordmarks; billboards;
* packaging and labeling; on-product typography; calligraphy;
* graffiti; inscriptional and architectural lettering;
* poster design and other large scale lettering signage;
* business communications and promotional collateral; advertising;
* wordmarks and typographic logos (logotypes),
* and kinetic typography in motion pictures and television; vending machine displays; online and computer screen displays.

We gathered in this Article some of the most amazing designs made by typography to draw portraits and we have to admit it’s amazing how these artists managed to show off the real faces using type letters.

Below you find some thumbnails you can click on any to view a larger image and if you would like to have the full pack in High Resolution just Download it by pressing on the next link.

Download The Portrait Pack

Article shared by our sponsor Designers Revolution

So this time we collected for you a list of the best free vector elements available for download on deviant art network.

we hope you enjoy using them and give credit to the creators who made them.

+ink.illypack1

by ~inkResources

Design illustration

by ~mygraphics-ru

Visual Effect Design 6

by ~mygraphics-ru

Cartoon Vector Man

by ~pablorenauld

Vector wallpaper square

by 123freevectors

City vector

by 123freevectors

Grunge Floral Design Elements

by ~mygraphics-ru

ACity-01

by ~mygraphics-ru

Floral Pattern Vectors

by ~mygraphics-ru

Silhouettes

by ~DuroArt

Ornate Angel Vector

by ~Enigma-Design

Florar Elements 2

by ~mygraphics-ru

Women face vector

by *123freevectors

Q. Who have you worked with in the Middle East?

Q. Is you specialty mainly a copy writing or creative?
A. I do both. I started with art but my major in France was literature and philosophy, so I like to work with words as well. But I wouldn’t limit specialties to the art/copy couple. First and foremost, it is a state of mind, curiosity, the ability to identify yourself with the target, knowledge of the market, understanding marketing needs …etc.

Q. Tell me some campaigns that you are proud of in the Middle East
A. A favourite of mine is the TVC’s we did for ADWEA (Abu Dhabi Water and Electricity Authority) with French Vision in Abu Dhabi. They had a very low budget and crazy deadline, but it was a great challenge. I also really enjoyed working with TBWA on Etihad Airways.

Q. What are the main obstacles to producing top level creative work?
A. The issues we face most are the lack of planning and weak marketing. Very often we don’t get any research or if we do it’s very little, except on large budgets. Another issue is the lack of consumer insights; quite often the decision-maker chooses the creative work based on his personal preferences rather than solid consumer data. There are many stories to tell, like one client who was showing some corporate ads we did to his kids and his maid, to see if they would understand it, and give us feedback on their comments, while it was targeting decision-makers of large corporations. Another issue I am facing, is that very often I hear clients telling me they don’t have a budget for photo shoots, or even stock images. It can sometimes be frustrating.

Q. Do you see good work coming out of the Middle East, compared to Europe, for example?
A. The region produces some pretty good work, and there is also a lot of trash, like in any market really. I often hear creatives complaining that they would be less restricted elsewhere, but the thing is that there is censorship in every market, and that includes Europe. You can’t just put anything anywhere. Agencies like Tonic Communications or The Classic Partnership proved that the region can produce world class advertising.

Q. What’s the difference between working as a Creative Director for network agencies and freelancing as a “Creative Cell”.
A. The good thing about freelancing for agencies, is that they call me to solve an issue. It makes you a “short-time hero”, relieving them from a specific problem. What I like about freelancing is that 70 per cent of it is pitching for new clients, so the conceptual thinking and executions are less restricted by final production constraints. When it is directly with clients, then there is not much difference except that here I can focus 100% on one job and I don’t face the interruptions of the daily routine of an agency.

Q. What do you think of all the Creative Directors and Designers starting to work on the web?
A. The web is a media that MUST be taken into consideration. As far as I am concerned, I believe it should be part of any media plan. I don’t really like to segregate online and offline. Each media answers specific needs and reaches a specific target. TV, outdoor, BTL are also important vectors of information. The web is part of the big media family and should be treated as such.

Q. Tell us about froggystyle.biz, is it an online portfolio or just an experiment in blogging?
A. I started off with a website to showcase my work, as an online portfolio. I spent months putting things together, developing everything myself in my spare time. Then, as new work needed to be added to my portfolio, I found it difficult to keep it constantly updated, so I started to put my work in a blog format as a temporary measure, creating a “blogfolio”. Then I found it so practical and, in return, it gave me so much positive feedback that I kept it that way. It is interesting because I can get direct feedback from all sorts of people, including the targeted audiences for each ad.

Some Of His amazing Works:

Below we are presenting 10 beautiful and impressive graffiti artworks. Hopefully everybody will find some inspiration at least in some of the works showcased below. Feel free to explore the works of artists by following the links to their sites.

1- Wish Sirum

2- Tyke Witnes

3- Sever

4- Risk

5- Minds

6- Graffiti Art

7- Serch & Persue

8- Pose

9- Ewok TSL

10- Ewok SeventhLetter

11- Askew

12- Ewok Linz

13- Seeking

14- Ruets

15- Joe2

The feedback we receive from designers is overwhelming. They consider Wix a revolutionary tool that changed their professional world. The ability to design impressive, beautiful sites in a short time dramatically expanded their clientele pool. Wix is very intuitive for web designers, which makes the work so much easier and convenient.

It’s very important for us to strengthen the ties between Wix and web designers. We recently even launched a directory, meant to promote designers who work with Wix and connect them with potential clients. We also host designers for Q&A sessions in our community, which exposes them to large crowds of visitors that come to know Wix because they need a website to begin with.

Check us out and I’m sure you’ll understand the potential. I’d also love to hear your feedback.
Jackboy

Se7en design

Shiri Design Studio

A Coca-Cola dispenser was later designed by Raymond Loewy. Coca-Cola was registered as a trademark in 1887 and by 1895 Coca-Cola was being sold in every state and territory in the United States. In 1899, the company began franchised bottling operations in the United States.

In this post we give you the History of Coca Cola Company and the Evolution of it’s advertising material.

It’s pretty impressive how it evolved to this far!

FOR THE AI VECTOR LOGO OF COCA COLA DOWNLOAD HERE

The Coca-Cola logo is a registered trademark of the Coca-Cola Corporation. Use of the logo here does not imply endorsement of the organization by this site.

Below you have 100 great and effective designs that can innovate you to make even better.
Click on the image to make it bigger. Also if you want to download the whole Pack  Get it here

We know that design is a broad topic and that designers fall into many categories and industries including art, fashion, illustration, web design, and much more. On this site we cover a wide range of topics in many disciplines and skill levels. Our hope is that you will find something here that helps unlock your creative potential and hopefully learn something new. more